Impossibly
on
the
road
again,
down
to
Berkeley
Arts Festival and a third Jerry Kuderna concert, now focussing on Ludwig van Beethoven's Diabelli Variations.
Lingering thereafter, Allan Crossman and Jerrry rehearse the Claude Debussy Symphonie for tomorrow's Opus 1 concert, while set-up happens for same, playing against the white backdrop, arraying chairs in two facing semi-circles (audience and performers).
Leaving as re-inforcements arrive,
the
way
is
made
up
Claremont
Canyon,
over the
Berkeley Hills,
and
down
Fish
Ranch
Road
to 24,
the Round Top Area,
Shakespeare Hills,
and on towards
Diablo.
Prepare scores for the
evening's rehearsal,
set up chairs at Diablo Valley for ensemble,
set
off
in
quest
of Harry Bernstein (rather than Pleasant Hill, in Walnut Creek), and return for The Opus One Project Ensemble practice --
a productive one, with Alan Kingsley, Phil Aduan, Peter Brown, Marion Fay, Michael Garvey, Cindy Collins, Michael Beveridge, Marnix van Amers,
Don Howe, Chris Hernacki (who is also a friend of Steve Pemberton's), Angelica Camacho, and Nathan Chamberlain.
Home to Harriet late, with composition of The Decameron - Third Day: VIII (10) over a new version of Emily Bronte's Jane Eyre.
